About me
I like to play in the spaces where art and science intersect.
Whether it’s music, design, or theoretical physics, you’ll find me fascinated by the technical details that bring imagination into reality.
I first set foot in a recording studio when I was 16. Love at first sight. I was overwhelmed by a need to understand how raw recordings were transformed into polished, radio-ready songs.
And once I understood that, I embraced the way constraints drive creativity; how a mastery of craft can allow you to make lemonade by turning constraints in your favor.
I am a person of many curiosities
How does a film colorist turn a flatly captured image into something rich with contrast and color? How does a sound designer turn simple sin and square waves into sounds we’ve never heard before, yet still register as unquestionably accurate? How does a celestial body warp space and time so profoundly that we can see what’s directly behind it?
Pro audio
Writing songs is fun, and I’ve done it from time to time. But I really get absorbed when it comes to mix engineering and sound design. It’s like putting a puzzle together, but first, you have to make the pieces yourself.
Film
Maybe putting my Letterboxd favorites here isn’t smart. What I love about film is the way so many people of so many crafts have to work in concert to bring a vision to fruition.
Photography
My grandmother was a published wildlife and art photographer, so I learned at an early age how contemplating the world in stillness can evoke profound emotions, and I’ve carried that on with a passion for street photography.
Theoretical physics
That’s physicist Kip Thorne prepping Jessica Chastain on the set of Interstellar. The film’s story actually originated with him. The scale of the universe, the forces at play, the perspective it offers—it’s a boundless source of inspiration.
Professional audio
5-hour ENERGY: sound design, mix engineering.
5-hour ENERGY: sound design, mix engineering.
NBA: sound design, mix engineering.
Ford: original composition